For current exhibit information click here.
For current exhibit information click here.
If you have trouble opening these photos in Safari, please use another browser – thanks -OL
Orin Langelle is a concerned photographer, who for four decades has been documenting social and environmental struggles.
Since 1972 Langelle has documented peoples’ resistance to war, corporate globalization, ecological destruction and human rights abuses. His first photographic assignment was to cover the protests against the Vietnam War at the 1972 Republican National Convention in Miami Beach. Langelle’s Exhibition Award photograph was from that first assignment (below).
Langelle says, “I approach my role as concerned photographer by not merely documenting the struggle for social and ecological justice, but by being an active part of it. This has enabled me to garner the trust of many of the subjects I have documented, allowing me access that would not have been possible otherwise. In this way, I have been able to expose the truth that is so often hidden by the powers of injustice.”
He continues, “My work is an historical look at social movements, struggle and everyday life. It is designed to counter the societal amnesia from which we collectively suffer—especially with regard to the history of social and ecological struggles. This is not merely a chronicling of history, but a call out to inspire new generations to participate in the making of a new history. For there has been no time when such a call has been so badly needed.”
When asked about her Exhibit Award photo, Natalie DiIenno says, “I’ve been studying Yves Kline and appropriated that image because he influences my work so much.”
She continued, “I’ve been making blue artworks recently, so he’s been a major reference for the blue and his concepts that deal with the notion of the ‘void’. A whole. That image is just a more literal explanation of this idea than his blue paintings (and my blue abstract photographs).”
Photographs of Natalie DiIenno and Orin Langelle, courtesy CEPA Gallery.
The CEPA Gallery is located at 617 Main Street, Buffalo, NY 14203. Viewing hours are Monday–Friday, 9:00 a.m. – 8:00 p.m. and Saturday, 10:00 a.m. – 5:00 p.m.
More about CEPA after the current exhibits:
Other Exhibits that Opened January 27 at CEPA
Located in Buffalo’s historic Market Arcade Complex, CEPA Gallery is a full-service contemporary photography and visual arts center with impact in both the local and national communities serving approximately 300,000 individuals annually.
With four galleries of changing exhibits and events, multimedia public art installations, arts education programs, and an open-access darkroom and digital photo lab, CEPA creates a vibrant presence in the heart of downtown Buffalo.
CEPA’s programs are made possible with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and the National Endowment for the Arts.
Originally incorporated as the Center for Exploratory and Perceptual Art to serve as a community darkroom and exhibition space, CEPA Gallery was founded during the Alternative Space Movement in May 1974 by recent graduates of the University of Buffalo.
Throughout its history, CEPA has strived to reflect the creative priorities for working artists, while growing to accommodate the educational and social needs of Western New York’s diverse community. Over the years, CEPA has evolved into a nationally recognized arts center that is truly international in scope, but regional in spirit. It is now one of the oldest and largest not-for-profit photography-based arts centers in the United States.
CEPA remains dedicated to photography and the photo-related and electronic arts, and has developed its programs and opportunities to provide working artists, urban youth, and other individuals with the necessary programs and facilities for the production and reception of contemporary art.
Volunteers Needed for the !Buen Vivir! Gallery
The ¡Buen Vivir! Gallery for Contemporary Art at 148 Elmwood Ave, Buffalo NY, is currently seeking volunteers to help with staffing the gallery during open hours on Fridays 6 – 8 p.m. & Saturdays 1 – 3 p.m., as well as helping with special projects. Our educational gallery with free admission hosts 3-4 shows per year and was founded to present an historical look at movements for change, struggle and everyday life. If interested please email Carolyn Lansom, Gallery Manager, <email@example.com> or call 716.931.5833.
Our current show runs through, April 29th Climate Change, System Change, Personal Change features two exhibits:
1. Climate Change—Realities and Resistance, photographs by Critical Information Collective (CIC)
2. Black on the Ground, White in the Air, artwork by Ashley Powell
This multi-faceted art and photographic show is designed to challenge viewers to think about what type of changes are necessary to effectively confront the root causes driving the extreme weather that is occurring globally.
¡Buen Vivir! Gallery for Contemporary Art announces a special Artist’s Talk for the show Climate Change, System Change, Personal Change by artist Ashley Powell on First Friday, April 1 at 7 p.m. The gallery is located at 148 Elmwood Avenue in Buffalo, NY’s Allentown District.
Artist’s Talk: Powell will discuss her work and its relation to environmental racism, a topic of special relevance right now in light of the rising awareness of rising rates of lead poisoning in poor children and children of color in Flint Michigan, as well as right here in Buffalo. Powell’s installation challenges people to think about environmental racism and classism.
The show Climate Change, System Change, Personal Change includes two interrelated exhibits:
• Black on the Ground, White in the Air, artwork from Ashley Powell
• Climate Change—Realities and Resistance, by international photographers from the Critical Information Collective makes its US debut after hanging at the UN Paris climate summit in December
The artist’s talk will be held on First Friday, April 1 at 7 p.m. at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Avenue in Buffalo. The gallery will be open for First Friday from 6-9 p.m.
Wine and hors d’oeuvres provided. The show runs through April 29.
For further information please contact Kip Doyle, Media Coordinator, +1.716.867.4080 <firstname.lastname@example.org>
Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)
It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).
For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance
The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.
Global Justice Ecology Project and the ¡Buen Vivir! Gallery invite you to our annual winter Solstice Party. This is also the closing reception of the gallery exhibit The End of the Game, The Last Words from Paradise – Revisited.
This year the party and closing reception take place on Thursday, December 17th from 6-9 p.m. at the ¡Buen Vivir! Gallery at 148 Elmwood Avenue in Buffalo.
Gallery Director Orin Langelle and GJEP Executive Director Anne Petermann will give brief presentations at 7 p.m. about the mission of the gallery and GJEP including ways you can get involved.
There will be music, wine, hors d’oeuvres, and we will celebrate the Solstice and the return of longer days.
We also hope to have some exciting news to share about a new venue for Orin Langelle’s historic exhibit: The End of the Game – The Last Word from Paradise, Revisited. If you haven’t seen it yet, this will be your last chance to see it in Buffalo…
Event is Free and Open to the Public. Casual dress.
See you there!
The ¡Buen Vivir! Gallery is pleased to be able to release the online version of the exhibit that appeared in our gallery last July. This documentary Multimedia online essay is titled: Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)
Below is an edited excerpt from the Gallery statement about the exhibit:
Art means many different things
At the ¡Buen Vivir! Gallery, the exhibits we choose illustrate and demonstrate the intersection of the realms of art and politics regarding the times in which we live.
Sometimes art should creatively communicate the reality hidden behind the propaganda we encounter in or our daily lives, where most communication is designed to sell something you probably do not need or that makes you feel good about yourself–from McMansions to reality shows, to drugs and/or belief systems with no mental challenge.
In this exhibit, we demonstrate how art and Free Speech are intrinsically tied together. Fourteen years ago the FBI raided the Earth Liberation Front’s Press Office in Oregon and confiscated their communications equipment. The equipment seized by the FBI, along with related photography, news clips and Federal Agency documents are now on display online in Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)
A group of artists and activists worked almost a month to turn a pile of obsolete office equipment seized from Burning Books co-owner Leslie James Pickering during the 2001 FBI raid into an installation highlighting free speech, art and state repression.
In addition to the now released office equipment (still tagged as evidence), the show features censored government documents, photographs, first-hand accounts, and statements by Pickering and Civil Rights attorney Michael Kuzma.
It is ludicrous and absurd that the FBI held these objects for fourteen years. If there were any incriminating evidence, it would likely have been found very quickly. The seizure of the equipment, and its confiscation for fourteen years, was intended to squash free speech.
This exhibit is about art, the repression and liberation of free speech and maybe a subliminal or not so subliminal message: In a world where we see more and more potentially apocalyptic scenes, especially with increasingly common climate catastrophes, is “civilization” and the dominant economic system pushing the inhabitants on Earth to the brink?
A photo exhibit, The End of the Game – The Last Word from Paradise, Revisited opened at the ¡Buen Vivir! Gallery in Buffalo. Friday, 9 October 2015. Photos by Orin Langelle. It will continue through 17 December with a special Allentown First Friday Reception on 6 November.
The Gallery is located at 148 Elmwood Avenue in Buffalo. Hours are from 1:30 to p.m. to 4 p.m. Tuesday through Friday, 6 to 8 p.m. Friday evenings and I to 3 p.m. on Saturdays.
Langelle’s work at the International Center of Photography gave him a rare insight into Beard, whose controversial views on ecology then, are just as relevant today.
With the support of the Peter Beard Studio, ¡Buen Vivir! presents this exhibition to commemorate the 50th anniversary of Beard’s book, The End of the Game – The Last Word from Paradise.
More photos, like the one below from the exhibit can be found here
The show opened 3 April 2015.
Please come to this closing reception and gallery walk-through – refreshments include wine and hors d’oeuvres.
Struggles for Justice is the last show in the present gallery space. The ¡Buen Vivir Gallery is moving to the first floor of the same location at 148 Elmwood Ave., in Buffalo’s Allentown. The Grand re-opening of the gallery will be on 7 August 2015 with a photo exhibit by Anne Petermann entitled Triumph Over Tragedy.
Anne Petermann is the Executive Director of Global Justice Ecology Project and the Coordinator of the international Campaign to STOP Genetically Engineered Trees.