Posts tagged ‘Orin Langelle’

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Buffalo, NY– On January 27, CEPA Gallery (Contemporary Photography & Visual Arts Center) opened the 2017 CEPA Gallery Members’ Exhibition. Photographers Natalie Dilenno and Orin Langelle received the 2017 Exhibition Awards.

2017 Exhibition Award winner Natalie DiIenno Underground Gallery

2017 Exhibition Award winner Natalie DiIenno
CEPA Underground Gallery

Both Langelle and Dilenno will have a solo exhibit at the CEPA Gallery in 2018. CEPA Gallery’s 2017 Members’ Exhibition features the photography and photo-related work of some of Western New York’s most talented artists. The exhibit runs until March 4, 2017.

The juror was Maiko Tanaka, the new Executive Director at Squeaky Wheel Film and Media Arts Center.

2017 Exhibition Award winner Orin Langelle Underground Gallery

2017 Exhibition Award winner Orin Langelle
CEPA Underground Gallery

Langelle is the Director of the ¡Buen Vivir! Gallery for Contemporary Art and Langelle Photography in Buffalo, NY. Langelle also serves as the Strategic Communications Director of Global Justice Ecology Project.

Langelle Photography and the ¡Buen Vivir! Gallery for Contemporary Art are part of Global Justice Ecology Project’s Social Justice Media Program.

Orin Langelle is a concerned photographer, who for four decades has been documenting social and environmental struggles.

Since 1972 Langelle has documented peoples’ resistance to war, corporate globalization, ecological destruction and human rights abuses. His first photographic assignment was to cover the protests against the Vietnam War at the 1972 Republican National Convention in Miami Beach. Langelle’s Exhibition Award photograph was from that first assignment (below).

 

Republican National Convention—Miami Beach, FL 1972. Wounded soldier from Vietnam Veterans Against the War (VVAW) in a wheelchair during protests against the RNC. Photo: Langelle

Republican National Convention—Miami Beach, FL 1972. Wounded soldier from Vietnam Veterans Against the War (VVAW) in a wheelchair during protests against the RNC. Photo: Langelle

Langelle says, “I approach my role as concerned photographer by not merely documenting the struggle for social and ecological justice, but by being an active part of it. This has enabled me to garner the trust of many of the subjects I have documented, allowing me access that would not have been possible otherwise. In this way, I have been able to expose the truth that is so often hidden by the powers of injustice.”

He continues, “My work is an historical look at social movements, struggle and everyday life.  It is designed to counter the societal amnesia from which we collectively suffer—especially with regard to the history of social and ecological struggles. This is not merely a chronicling of history, but a call out to inspire new generations to participate in the making of a new history.  For there has been no time when such a call has been so badly needed.”

When asked about her Exhibit Award photo, Natalie DiIenno says, “I’ve been studying Yves Kline and appropriated that image because he influences my work so much.”

She continued, “I’ve been making blue artworks recently, so he’s been a major reference for the blue and his concepts that deal with the notion of the ‘void’. A whole. That image is just a more literal explanation of this idea than his blue paintings (and my blue abstract photographs).”

[Note]: Many in the art world consider Yves Klein the most influential, prominent, and controversial French artist to emerge in the 1950s. He is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own: International Klein Blue. Klein (1928 – 1962) said, “The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.”


Photographs of Natalie DiIenno and Orin Langelle, courtesy CEPA Gallery.

The CEPA Gallery is located at 617 Main Street, Buffalo, NY 14203. Viewing hours are Monday–Friday, 9:00 a.m. – 8:00 p.m. and Saturday, 10:00 a.m. – 5:00 p.m.

More about CEPA after the current exhibits:

Other Exhibits that Opened January 27 at CEPA

David Jaan: I See People

David-Jaan-Portfolio-Featured-Image

Lingxiang Wu: A Modern Flaneur’s Possession

Linxiang-Wu-Portfolio-Featured-Image

Exterior Views: The Richardson Olmsted Complex

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Located in Buffalo’s historic Market Arcade Complex, CEPA Gallery is a full-service contemporary photography and visual arts center with impact in both the local and national communities serving approximately 300,000 individuals annually.

With four galleries of changing exhibits and events, multimedia public art installations, arts education programs, and an open-access darkroom and digital photo lab, CEPA creates a vibrant presence in the heart of downtown Buffalo.

CEPA’s programs are made possible with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and the National Endowment for the Arts.

Originally incorporated as the Center for Exploratory and Perceptual Art to serve as a community darkroom and exhibition space, CEPA Gallery was founded during the Alternative Space Movement in May 1974 by recent graduates of the University of Buffalo.

Throughout its history, CEPA has strived to reflect the creative priorities for working artists, while growing to accommodate the educational and social needs of Western New York’s diverse community. Over the years, CEPA has evolved into a nationally recognized arts center that is truly international in scope, but regional in spirit. It is now one of the oldest and largest not-for-profit photography-based arts centers in the United States.

CEPA remains dedicated to photography and the photo-related and electronic arts, and has developed its programs and opportunities to provide working artists, urban youth, and other individuals with the necessary programs and facilities for the production and reception of contemporary art.

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The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo ©: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)

It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).

For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance

The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.

Notice that Orin Langelle, Buen Vivir! Gallery director, has one of the panels, Struggles for Justice, with six photographs in the Paris show, that is coming to Buffalo.

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Global Justice Ecology Project and the ¡Buen Vivir! Gallery invite you to our annual winter Solstice Party.  This is also the closing reception of the gallery exhibit The End of the Game, The Last Words from Paradise – Revisited.

This year the party and closing reception take place on Thursday, December 17th from 6-9 p.m. at the ¡Buen Vivir! Gallery at 148 Elmwood Avenue in Buffalo.

Camel's Hump, Vermont. Photo: Petermann

Camel’s Hump, Vermont. Photo: Petermann

Gallery Director Orin Langelle and GJEP Executive Director Anne Petermann will give brief presentations at 7 p.m. about the mission of the gallery and GJEP including ways you can get involved.

There will be music, wine, hors d’oeuvres, and we will celebrate the Solstice and the return of longer days.

We also hope to have some exciting news to share about a new venue for Orin Langelle’s historic exhibit: The End of the Game – The Last Word from Paradise, Revisited. If you haven’t seen it yet, this will be your last chance to see it in Buffalo…

Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

Event is Free and Open to the Public. Casual dress.

See you there!

Info: 716.931.5833

Anne Petermann
Orin Langelle

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