Posts from the ‘Activism’ category

Above posted on 6 April 2020

Press Statement                               March 17, 2020
 
¡Buen Vivir! Gallery for Contemporary Art Postpones April First Friday Event in Buffalo
Chile: Peoples’ Uprising Exhibit Opening to be Rescheduled   
 

Buffalo, NY: Due to the current public health emergency and recommendations for events not to exceed fifty people, the ¡Buen Vivir! Gallery for Contemporary Art is postponing our April 3 First Friday event. The opening reception for our new exhibit, Chile: Peoples’ Uprising, will be rescheduled for a later date. We will be sure to inform you of the new date for the exhibit opening when we make that determination.

Contact: Orin Langelle +1.716.536.5669

Chile: Peoples’ Uprising

Images from the Front Lines

Exhibit Opens April 3

BUFFALO, NY – The ¡Buen Vivir! Gallery for Contemporary Art will present documentary photography and videography from the ongoing peoples’ uprising in Chile that started in October of last year. The images were shot by the gallery co-directors, Orin Langelle and Anne Petermann in the months of November and December, 2019 from the front lines of the uprising.

The Opening Reception of Chile: Peoples’ Uprising will be held during Allentown’s First Friday event on April 3 from 6 to 9 p.m. Wine and hors d’oeuvres will be served at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Avenue at Global Justice Ecology Project space.

A massive popular uprising in Chile began on October 18, 2019, and continues to this day. Millions are demanding a new economic and political system in Chile and a new Constitution.Chile’s existing Constitution was written during the Pinochet Dictatorship, ushered in during a military coup supported by the U.S. in 1973.

Today Peoples’ Assemblies are taking part in all regions of Chile to create a process that will rewrite the new constitution. Chile’s President Piñera is trying to take control of this process and to crush the protests with extreme violence and repression.

Petermann and Langelle documented street protests including clashes between activists and Carabineros (national police) in the cities of Santiago and Temuco.

As of the first week of March of this year reports state that since the uprising began in October, 36 activists have died, more than 28,000 Chileans have been detained and 4,080 minors arrested. Additionally over 11,000 have been injured by the Carabineros. Shotguns loaded with rubber-coated metal pellets deliberately aimed at protesters’ faces have caused 445 serious eye wounds. Many people have partial or complete loss of vision in one or both eyes. In addition, several protesters have been run over by armored vehicles.

Langelle and Petermann also traveled to two indigenous Mapuche land re-occupations, where communities had taken back 1,500 hectares of their ancestral lands, stolen from them during the dictatorship. On U.S. Thanksgiving, they took photos and video interviews after Carabineros shot and teargassed people in the re-occupation.

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On Tuesday, April 7, Jim Shultz, Executive Director of the Democracy Center, will launch his newest book My Other Country, Nineteen Years in Bolivia? in the BV Gallery from 7 – 9 p.m. The full moon event commemorates the 20th anniversary of the Cochabamba Water Revolt in Bolivia that Shultz was involved in and helped publicize.

The gallery is free and open to the public.

 

Contact: Theresa Church Theresa2@GlobalJusticeEcology.org                                                                                 ++1.716.931.5388                

BuenVivirGallery.org

Santiago de Chile: Water cannons chase crowd. A caustic liquid was mixed with the water to irritate the skin and lungs. Water cannons were strategically used to target street medics and the Red Cross.

Santiago de Chile: Depicting blood and eyeballs in the hands of the government. This guerrilla theater on International Human Rights Day, December 10th, commemorated the (then) 350+ eyes injured, some permanently by the Carabineros de Chile (national police) who intentionally shot people in the face with shotguns filled with rubber-coated metal pellets during the protests.

This young Mapuche is from the community of Quilape Lopez, Chile, which is re-occupying stolen ancestral lands. Elders say the young are the future of the Mapuche, as is the land.

all photos by Orin Langelle / photolangelle.org

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[Closing Reception Friday, June 7, 6 – 9 p.m.at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Ave., in Buffalo NY’s Allentown Art District. Hors‘douvres and refreshments served. The event is free and open to the public.]

The following photos were taken during the #notwhite collective’s Opening Reception, Friday, April 5, 2019 for their Buffalo, NY Premier Exhibit In Between the Middle held at the ¡Buen Vivir! Gallery for Contemporary Art. The #notwhite collective is a group of thirteen women artists elevating the stories of the others. They are based in Pittsburgh, PA.

There is a resemblance of the U.S. flag in their exhibit which you will notice in several of the photos below as a backdrop. The title is Mom, you know we’re all just shades of brown by Fran Ledonio Flaherty.

The photos of the opening below are by Orin Langelle / PhotoLangelle.org

Similarity

#notwhite collective member Fran Ledonio Flaherty and reflection of her hearing dog – Olympia

The #notwhite collective, with their art and message, brought seriousness and laughter together in one of the best – if not the best –  openings at the ¡Buen Vivir! Gallery since it opened in October 2014 with Climate Change: Faces, Places & Protest. I (Orin Langelle) hope the gallery continues to have exhibits that reflect the seriousness of our times with contemporary art and photography along with much needed humor while inspiring people, as the #notwhite collective says “…to share, to question, to investigate, dig deep into what identity is within and outside the construct and context of white –not in skin color, but as a system of oppression, a system we do not align ourselves with.”

Alison Zapata, from the #notwhite collective

#notwhite collective members Allison Zapata (l) and Sara Tang

The Collective’s Carolina Loyola-Garcia (l) and Santiago Masfererr from El Buen Amigo

A content young one with mother

Hugs

The name of the gallery, ¡Buen Vivir!, is a concept stemming from Indigenous and other cultures of the Southern Americas. ¡Buen vivir! means life in harmony between humans, communities, and the Earth – where work is not a job to make others wealthier, but for a livelihood that is sustaining, fulfilling, and in tune with the common good.

Smiles

Maritza Mosquera (l) from the #notwhite collective

Viewing “Warriors” a photograph by Liana Maneese

#notwhite collective’s Sarika Goulatia

From Left to Right Top Row: Carolina Loyola-Garcia, Bianca L. McGraw, Danielle AJ, Alison Zapata, Amber Epps Middle Row: Maritza Mosquera, Sarika Goulatia, N’gana, Sara Tang Bottom Row: Fran Ledonio Flaherty, Madame Dolores, Veronica Corpuz

From the exhibit

Well…

#notwhite collective Is a bi/multi-racial/cultural, immigrant or descendants of immigrants. Since 2016, they have met to share, to question, to investigate, dig deep into what identity is within and outside the construct and context of white –not in skin color, but as a system of oppression, a system we do not align ourselves with. They provide an artistic platform for difficult discussions on the complexities of cultural identity in America to move us all towards humanity.

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Volunteers Needed for the !Buen Vivir! Gallery

The ¡Buen Vivir! Gallery for Contemporary Art at 148 Elmwood Ave, Buffalo NY, is currently seeking volunteers to help with staffing the gallery during open hours on Fridays 6 – 8 p.m. &  Saturdays 1 – 3 p.m., as well as helping with special projects. Our educational gallery with free admission hosts 3-4 shows per year and was founded to present an historical look at movements for change, struggle and everyday life. If interested please email Carolyn Lansom, Gallery Manager, <carolyn@globaljusticeecology.org> or call 716.931.5833.

Our current show runs through, April 29th Climate Change, System Change, Personal Change features two exhibits:

1. Climate Change—Realities and Resistance, photographs by Critical Information Collective (CIC)
2. Black on the Ground, White in the Air, artwork by Ashley Powell
This multi-faceted art and photographic show is designed to challenge viewers to think about what type of changes are necessary to effectively confront the root causes driving the extreme weather that is occurring globally.

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The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo ©: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)

It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).

For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance

The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.

Notice that Orin Langelle, Buen Vivir! Gallery director, has one of the panels, Struggles for Justice, with six photographs in the Paris show, that is coming to Buffalo.

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Global Justice Ecology Project and the ¡Buen Vivir! Gallery invite you to our annual winter Solstice Party.  This is also the closing reception of the gallery exhibit The End of the Game, The Last Words from Paradise – Revisited.

This year the party and closing reception take place on Thursday, December 17th from 6-9 p.m. at the ¡Buen Vivir! Gallery at 148 Elmwood Avenue in Buffalo.

Camel's Hump, Vermont. Photo: Petermann

Camel’s Hump, Vermont. Photo: Petermann

Gallery Director Orin Langelle and GJEP Executive Director Anne Petermann will give brief presentations at 7 p.m. about the mission of the gallery and GJEP including ways you can get involved.

There will be music, wine, hors d’oeuvres, and we will celebrate the Solstice and the return of longer days.

We also hope to have some exciting news to share about a new venue for Orin Langelle’s historic exhibit: The End of the Game – The Last Word from Paradise, Revisited. If you haven’t seen it yet, this will be your last chance to see it in Buffalo…

Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

Event is Free and Open to the Public. Casual dress.

See you there!

Info: 716.931.5833

Anne Petermann
Orin Langelle

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unnamed-3The ¡Buen Vivir! Gallery is pleased to be able to release the online version of the exhibit that appeared in our gallery last July.  This documentary Multimedia online essay is titled: Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)

Below is an edited excerpt from the Gallery statement about the exhibit:

Art means many different things

At the ¡Buen Vivir! Gallery, the exhibits we choose illustrate and demonstrate the intersection of the realms of art and politics regarding the times in which we live.

Sometimes art should creatively communicate the reality hidden behind the propaganda we encounter in or our daily lives, where most communication is designed to sell something you probably do not need or that makes you feel good about yourself–from McMansions to reality shows, to drugs and/or belief systems with  no mental challenge.

In this exhibit, we demonstrate how art and Free Speech are intrinsically tied together. Fourteen years ago the FBI raided the Earth Liberation Front’s Press Office in Oregon and confiscated their communications equipment. The equipment seized by the FBI, along with related photography, news clips and Federal Agency documents are now on display online in Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)

A group of artists and activists worked almost a month to turn a pile of obsolete office equipment seized from Burning Books co-owner Leslie James Pickering during the 2001 FBI raid into an installation highlighting free speech, art and state repression.

In addition to the now released office equipment (still tagged as evidence), the show features censored government documents, photographs, first-hand accounts, and statements by Pickering and Civil Rights attorney Michael Kuzma.

It is ludicrous and absurd that the FBI held these objects for fourteen years. If there were any incriminating evidence, it would likely have been found very quickly. The seizure of the equipment, and its confiscation for fourteen years, was intended to squash free speech.

This exhibit is about art, the repression and liberation of free speech and maybe a subliminal or not so subliminal message: In a world where we see more and more potentially apocalyptic scenes, especially with increasingly common climate catastrophes, is “civilization” and the dominant economic system pushing the inhabitants on Earth to the brink?

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Former Earth Liberation Front press officer, James Leslie Pickering unloading a box of items seized in a raid 14 years ago at the EFL Press Office in Oregon. Global Justice Ecology Project's Anne Petermann is on the right. The returned objects will be on display at the ¡Buen Vivir! Gallery in Buffalo, NY. through July 26.

Former Earth Liberation Front press officer, James Leslie Pickering unloading a box of items seized in a raid 14 years ago at the ELF Press Office in Oregon. Global Justice Ecology Project’s Anne Petermann is on the left. The returned objects will be on display at the ¡Buen Vivir! Gallery in Buffalo, NY. through July 26. Photo: Langelle

Special Gallery Event – Opening July 15th, 6-9 p.m.

Returned Objects:

A Multimedia Art Installation

Earth Liberation Front Press Office April 5, 2001

Communications Equipment Seized by FBI Released 14 Years Later

This multimedia art installation of returned objects, Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later, opens on July 15 from 6-9 p.m. The installation runs through July 26th.

On display will be items seized in an April 5, 2001 raid by a Joint Terrorism Task Force led by the FBI on the Earth Liberation Front Press Office in Portland, OR. These returned objects, fourteen years after the raid, include fax machines, computers, a cell phone, phone books, and typewriters. The communications equipment seized belonged to the former ELF press officers, including current Buffalo Burning Books co-owner, Leslie James Pickering. – More on Exhibit
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The show opened 3 April 2015.

struggle final show

Please come to this closing reception and gallery walk-through – refreshments include wine and hors d’oeuvres.

Struggles for Justice is the last show in the present gallery space.  The ¡Buen Vivir Gallery is moving to the first floor of the same location at 148 Elmwood Ave., in Buffalo’s Allentown. The Grand re-opening of the gallery will be on 7 August 2015 with a photo exhibit by Anne Petermann entitled Triumph Over Tragedy.

Anne Petermann is the Executive Director of Global Justice Ecology Project and the Coordinator of the international Campaign to STOP Genetically Engineered Trees.

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2 Gallery-Poster-CC-796x1024First Exhibit: Climate Change: Faces, Places & Protest  – Photos from the front lines                     

3 October – 5 December 2014

Now Online

A new gallery in the historic Allentown district in Buffalo, NY, ¡Buen Vivir¡, opened its doors Friday 3 October 2014 with an exhibit Climate Change: FACES PLACES & PROTEST – photos from the front lines, that showcases more than two decades of work by photojournalist and gallery curator Orin Langelle.

The climate crisis was chosen as the theme for the gallery opening due the impacts it has on communities, ecosystems and human rights struggles.  The theme was also timely.  The exhibit began shortly after the 21 September climate march and the 23 September UN Climate Summit hosted by UN Secretary General Ban Ki Moon in New York City, and ended on 5 December 2014 during the UN Climate Conference and Peoples’ Climate Summit, in Lima, Peru in December.

Langelle’s exhibit, “Climate Change: FACES PLACES & PROTEST – photos from the front lines,” documents a wide range of topics including the aftermath of Hurricane Mitch in Nicaragua in 1998, 2011’s Hurricane Irene in Vermont, as well as protests and demonstrations during UN Climate Conferences spanning five continents, between 2004 and 2011.

“Orin Langelle may not be a combat photographer, but he has risked his safety and well being to cover peoples’ struggles for a better life, sometimes in remote territories deep in the jungle, in communities imminently threatened by military or paramilitary invasion, or immediately after a natural disaster,” stated Anne Petermann, Executive Director of Global Justice Ecology Project. “This gallery will be an opportunity for the people of Buffalo to be exposed to this important body of work.”

The  ¡Buen Vivir¡ gallery is located at the offices of Global Justice Ecology Project, which also house the international Campaign to STOP Genetically Engineered Trees, and Biofuelwatch.

Prior to this show, an exhibit of Langelle’s photos documenting impacts of and response to the climate crisis was held last November at the 2013 UN Climate Conference in Warsaw, Poland.

Moving to Allentown in 2012, concerned photographer Orin Langelle has documented topics, cultures, ecosystems and geographies across six continents, including struggles against human rights abuses, economic domination, ecological devastation and the oppression of women, as well as Indigenous Peoples’ efforts for autonomy and land rights.

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